Where OFTEN RARELY THAT SIMPLE offered routines with a deep focus on the sleights and controls involved, MISSING ALMOST EVERY THING brings together 9 full routines, focusing on the effect itself, with attendant alternate handlings depending on the situation.
Inspired by conversations with Andrew Frost, Arthur Chavaudret, Yann Frisch, David Blaine, and furthered by chats in our book-club meet-ups, my focus these past years has shifted to more performance-based thought, and how to best highlight what the actual effect of a trick is to an audience, bringing attention to the strongest parts of a routine and shadow to the sleight-y parts.
As with OFTEN RARELY, every piece in this book is accomplished by sleight of hand and a deck of cards. There are no gimmicks or duplicates, no need for stooges or accomplices. The material includes a mix of hands-off, relaxed routines alongside other visual and technically more complex routines. On the whole, the material here is a little easier than OFTEN RARELY, ranging from intermediate up to more challenging.